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phyllis cole-dai: News & Notes

News & Notes




Online Purchases Now Easier with Addition of Paypal
- August 29, 2008

You can now buy Phyllis’s merchandise more easily than ever before. Instead of having to leave this website to purchase her recordings or books, you can do all of your transactions right here. Click on an “Add to Cart” button to buy a CD, book or downloadable sheet music file. When you’re finished shopping, proceed to checkout, where you can pay using a major credit card or, if you have one, your own Paypal account. Rest assured that your transaction will be quick and secure.
     “This should make doing business a lot easier for all of us,” Phyllis says. “My materials will still be available elsewhere, but I encourage everyone who feels comfortable doing so to make their purchases online at my Store. The more directly we do business, the more money I can donate to the charities my work supports.”
     If you would rather not make your purchase online, please contact Phyllis to make other arrangements. Top


Introducing The Book of the World
- August 20, 2008

Imagine scripture created for today. Scripture intended not to replace other holy books but to offer alongside them its own poignant witness. Scripture written not by prophet or saint, mystic or messiah, guru or god, but by the world. Scripture nearly 3,000 verses long, woven from quotations from around the globe. Scripture whose creator is unknown and whose origins are a mystery. Scripture that first appeared on the Internet, only to be suppressed. Scripture meant not only to be read but also to be tested, and transcended.

     Imagine it no more. That scripture is here.

     “The Book of the World is a powerful book,” Phyllis says. “I was privileged to have the opportunity to edit and publish it. Reflected in its pages I see many of the values and concerns that are central to the living of my own life—among them, the cultivation of compassion, the expansion of peace and justice, the growth of respect for this planet and all living things.
     “I don’t necessarily agree with everything that The Book of the World says. If I did, its author, I imagine, would surely take me to task. But its words call me out of complacency, urging me to keep on with the great work of making my soul—which is, at the same time, the great work of making the world.”
     The Book of the World first came to Phyllis’s attention when a friend, who wishes not to be identified, told her something she had heard from one of her close relatives. This relative, a long-time employee of a major Internet portal, had confided in her about a “modern-day holy book that had been censored from the Web.”
     Suspicious of the story but still intrigued, Phyllis arranged a meeting with her friend’s relative, whom she calls Q. “I promised not to divulge the person’s identity,” she explains. “Q feared repercussions in the workplace if discovered, as well as strife in the family.”
     Q told Phyllis that The Book of the World had originally appeared on a Web site in mid-2007. Readers could view but not download its text, whose author and origins were unknown. “Internet traffic to its Web site increased over a short time,” Phyllis reports. “Then, suddenly, the document vanished. Q checked into it and learned that the domain name registrar had disabled the book’s Web site. Access to the site was blocked. In other words, it was censored.”
     “I had trouble believing that at first,” Phyllis confesses. “Then I did a little digging of my own and learned how entirely possible that censorship was.”
     At the end of their first meeting Q surprised Phyllis with a jump drive containing the original text of the The Book of the World.  She never learned how Q had acquired the document, which supposedly wasn’t downloadable. “Initially I thought that Q had created the book,” she recalls, “but as the two of us got better acquainted, I realized it wasn’t possible.
     “Who the author is remains a mystery. I hope one day it will be solved. I encourage the author to step out of the shadows. Conclusively identify yourself. All you have to do is point out a signal change I've made to the book’s text, a change only you would recognize. I’ll be waiting.”
     The Book of the World: A Contemporary Scripture is not divinely revealed. No god dictated its words. No god stands behind its words, backing them up. The Book of the World, in all its glory and all its pain, is a fully human document. Unapologetically human.
     “I don’t know of any other book like it,” Phyllis says. “Not a single line of the book is original to its author (who really should be called an editor or redactor). Every verse is a quotation, its verse number referring to a note at the bottom of the page, naming its source. Contained in the document are nearly 3,000 quotations from more than 1,200 spiritual teachers, ethicists, philosophers, theologians, political prisoners, refugees, human rights advocates, environmentalists, laborers, and so on.”
     This book of scripture, Phyllis stresses, was clearly not created to supercede or replace other sacred texts, such as the Bible, but to offer alongside them its own beauty and witness. “The Book of the World may not be regarded as scripture by any particular religious group,” Phyllis says. “It doesn’t wish to be. But it could be regarded as scripture by anyone who receives it with an open heart and spacious mind. This is its intention: to speak not to some but to any and all, regardless of religion, regardless of country, regardless of race, regardless of gender— regardless of difference.
     Q eventually proposed that Phyllis lend The Book of the World her name as editor and publish it as a paperback. “I really balked at that idea,” Phyllis says. “Like Q, I wanted the book to gain an audience, but look, I’m an author. I know how laborious and costly is the work of writing, what an investment of time and money and sweat and self it involves. And I know how I would feel if someone somehow procured materials I had written and published them without my permission.
     “But Q made a convincing case for our working together to publish The Book of the World, citing several reasons. First and foremost, the world at large would reap some benefit, however modest, from its publication. Second, The Book of the World was unlikely to reach the public at all unless Q and I published it as a bound book. Online publication seemed impossible, the censorship unavoidable. At my urging, Q had twice attempted to publish the book online, as its creator had previously. Those attempts were censored. It was evident that somebody did not want this document on the World Wide Web.
     “Third, by concealing his or her identity the author of The Book of the World had deliberately cut all ties with its future, not wanting to take credit for the work. By helping to produce and distribute the book without laying any claim to it, Q and I would honor the author’s wishes.”
     To produce, promote and distribute a book costs money; the more widely available a book is made, and the larger the demand, the greater the expense. In order to recoup their costs, Phyllis and Q would need to sell copies of The Book of the World rather than simply give them away. “Q suggested that we donate to charity any income we happened to raise above expenses,” Phyllis says. “Since my own custom is to donate to humanitarian organizations a portion of the sales proceeds from my books and recordings, Q’s idea held immediate appeal.”
     Phyllis acknowledges that while Q’s arguments in favor of publication were convincing, in the end it was The Book of the World itself that persuaded her to act. “There’s a passage in the book that talks about how in the vast mass of things in the world, the act of creation cuts through them, dividing the things that might happen from those that do. It says, `Learn to know ever more deeply: from now on every single thing demands decision, and every action responsibility. You are the decisive element.’
      “I read that, and I had to act. In good faith, I had to act.”
     Phyllis laments that Q, who passed away just weeks before the book went to press, isn’t here to see its publication. “Q’s death saddens me beyond words,” she says. “We had quickly become friends, in the rare way of true friends. The grief cuts deep. Yet I’m glad that Q’s vision for the book—the vision that had caused Q to agree to meet with me in the first place—is now coming to pass.”
     To read an excerpt from The Book of the World, visit the Library. To purchase the book online ($18 plus shipping & handling, where applicable), visit Phyllis’s Store. To make your purchase by mail or in person, contact Phyllis.

FOR A LIMITED TIME ONLY: Order your copy of The Book of the World today and, if you choose, receive a Child of All Earth CD at half-price. That’s a savings of $7.50! Limit one CD per customer. Top


Sheet Music Now for Sale in the Music Rack
- August 13, 2008

Phyllis is now starting to sell sheet music in the Sheet Music Rack in her Store. You can download the sheet music of a song or piano solo for a small fee (or, in some cases, for free) and use it for your own enjoyment or at a place of worship, in a school, with a community group, and so on. Each vocal piece includes the lyrics along with the melody line and chord notations for guitar or piano accompaniment; more rarely, a song will include full piano accompaniment.
     Phyllis admits that less solo piano sheet music than vocal music will be available for sale. "I'd rather be composing than scoring music," Phyllis confesses. "Vocal music takes less time to notate."
     To launch her sheet music sales, Phyllis is making available three special selections. The first song, being offered for free, is a mealtime blessing she wrote for her young son. The second, available for just .99, is “Let the Gift Keep Passing On,” a song she composed for an annual Heifer International fundraising event in Brookings, SD. (To hear a home recording of this song, click here.) “I’m such a fan of Heifer International,” Phyllis says, “that I’m giving 100% of the proceeds from the sale of this song to that organization. I hope that some people who buy the song will use it at their own fundraisers for Heifer. If they do, I’d love to hear about it!”
     Finally, Phyllis is offering "Starting from Here" ($4.95), which she composed for the recent White Coat Ceremony at the Sanford School of Medicine, Vermillion, SD. (To listen, click here.)
     Phyllis will add pieces to the Sheet Music Rack from time to time, including a free selection every month, so be sure to check back regularly. Be advised that to view and print the sheet music you download, you’ll need PDF reading software, such as Adobe Reader. If you would like to download Adobe Reader for free, click the icon below. Top





Going Green, or at Least Greener!
- August 8, 2008

Phyllis has been exploring the marketplace for book and CD publishers that are “going green,” or at least “greener.” She wants to ensure that the production and packaging of her merchandise leaves the smallest environment footprint possible while sacrificing neither quality nor affordability.
     Easier said than done.
     The good news is, she’s not the only editor/author or composer/musician looking for such services, and the increasing demand is helping to change the publishing marketplace. The not so good news is that, even when you’re married to an environmental chemist, as Phyllis is, it isn’t always easy to figure out how environmentally responsible a particular company is.
     Still, to try is better than not. That’s a major reason why Phyllis contracted with McNaughton & Gunn (Saline, MI) to publish The Book of the World. This company has been promoting environmental stewardship for years, working hard at waste reduction and pollution prevention. It was the first printer in Michigan to be recognized for environmentally friendly practices by the Michigan Great Printers Project and has received numerous other awards for its “greening” efforts.
     In publishing The Book of the World through McNaughton & Gunn, Phyllis could choose to print on either recycled paper or FSC-certified paper. (The latter type of paper is certified to have resulted from forestry practices meeting high standards of environmental, social and economic responsibility.) What a nice choice! Though it was slightly more pricy, Phyllis decided to publish the book on 100% post-consumer waste recycled paper.
     When you order a copy of The Book of the World, you’ll notice when it arrives that it isn’t shrink-wrapped. “Shrink-wrapped products are generally considered more tasteful, more professional,” Phyllis acknowledges, “but I think we need to change our notions about that. Shrinkwrap isn’t necessary. It’s just more plastic for the landfill. We need to reduce the amount of packaging we use in this country. From now on I won’t be shrink-wrapping any of my products.”
     Phyllis has the same opinion about selling CDs in plastic jewel cases. “For me, as for a growing number of musicians who are releasing recordings, jewel cases will soon be a thing of the past. Indeed, discs themselves are fast being replaced by MP3s.” Phyllis does distribute her music digitally via internet sales, but she plans, at least for now, to continue releasing physical CDs as well. “A lot of people haven’t yet plunged headlong into the digital age,” she says. “Truth be known, I’m among them. I don’t own an I-Pod. I don’t read my books digitally. I know I’m not alone. As long as there’s a demand for physical CDs, and for bound books, I’ll continue to provide them in as environmentally friendly a way as possible.”
     Small steps toward green? No doubt. But every step matters. Phyllis invites you to join her on the journey toward green. Reflect seriously on your own habits of work and play. Experiment with different choices. “The environment is a mess, and nobody has all the answers about how to heal it,” Phyllis says, “but together we can re-learn what we humans as a species seem to have forgotten: mother earth matters. She needs our care as much as we need hers.” Top


CDBaby Your Best Source for Downloading Phyllis's Albums
- August 5, 2008

In love with your iPod? Want some new music on your Blackberry?
     You might want to purchase one of Phyllis’s albums as a single digital download. Just go to her CDBaby page and follow the links. You'll save $3 per album buying digital instead of disc.
     When you download one of Phyllis’s albums, you’ll receive one zip file that includes MP3s of all the music, a JPG of the album art, and a text file containing titles and liner notes.
     CDBaby’s MP3 files are encoded at top-audiophile-quality (~200k VBR), higher than iTunes or any other major digital music store. And they’re guaranteed to play on any MP3 player. Have fun! Top


The Moon Goes Down
- August 1, 2008

Beautiful Is the Moon, the children’s CD for which Phyllis composed the music, is now sold out. There are no plans at this time to do another run. Thanks to all of you who supported Phyllis’s first musical project, and sincere apologies to all of you who still wanted a copy!
     Though The Moon has now gone down, you can still enjoy its music. Just visit the Music Room. Invite a little person along to listen. Who knows? Maybe The Moon will soon have both of you singing! Top


When Times are Hardest Kindness Counts Most
- July 17, 2008

People everywhere are feeling the financial squeeze of higher food and fuel prices, if not also the trauma of lost jobs and lost pensions and lost homes. The financial downturn in the U.S. has already started to impact charitable giving across the nation.
     "It's when times are hardest," Phyllis urges, "that kindness counts most. We have to fight the urge to hoard, feed the urge to share. Share wisely, yes, but share we must, or times will get even bleaker, especially for the most vulnerable among us."
     In this spirit Phyllis wanted to bring you up to date on the humanitarian relief efforts that you, through your generous contributions to her work, have been supporting.
     When Phyllis returned to Columbus this past spring to do a concert fundraiser for the Columbus Coalition for the Homeless (CCH), she was distressed, though not surprised, to find that the number of homeless people in that city, as elsewhere in the United States, has grown exponentially. (Did you know that nationally, one in every four homeless persons, and almost one in every two homeless males, is a military veteran? That homeless families with children are the fastest-growing segment of the homeless population, now at 40%? That the average age of a homeless person is a mere seven years old?
     By purchasing The Emptiness of Our Hands, you have contributed financially to the important work of the CCH. You have, at the same time, made a donation to the Homeless Families Foundation; specifically, to its Dowd Center, a wonderful facility which provides homeless children in Columbus an academically-focused after-school program and a full-day summer program.
     Your purchase of a Friends CD has financially supported the work of Doctors Without Borders in the Darfur region of Sudan. That Nobel prize-winning organization is struggling to continue its mission in a country whose president has now been formally charged with genocide and war crimes. In some areas of Darfur it has been forced to suspend its work altogether, but it's hanging on, and won't give up.
     By purchasing a Child of All Earth CD, you have donated to the Campaign for Innocent Victims in Conflict (CIVIC). CIVIC is a small but mighty organization. Most recently it has been conducting the first-ever training program for American soldiers shipping out to Iraq and Afghanistan on how to compensate civilians for deaths, injuries and loss of homes. It has also successfully pressed NATO to create a common fund for Afghan war victims and subsequently convinced the U.S. Congress to give $2 million to the fund.
     Last year Phyllis created a personal CIVIC fundraising page to help raise donations beyond her CD proceeds. Every donation made to CIVIC on Phyllis's fundraising page is secure and tax-deductible. "The $1000 goal that I set was very ambitious," she acknowledges, "and at $160 raised, we've still got a long way to go, but every dollar we collect helps. I still hope we can eventually make the goal!"
     Finally, although none of Phyllis's projects currently support Heifer International (HI), she has been so impressed by the organization over the years that she created a personal fundraising page for it as well. She invites friends of her work to contribute. Once again, every donation made is secure and tax-deductible.
     "I'm especially grateful to Heifer right now for what it's doing in China," she says, "where my husband's father, brothers and extended family live." HI is helping people in China's Sichuan and Chonging Provinces recover from the devastating May 12, 2008, earthquake that killed at least 69,000 and left thousands more homeless. "Jihong's family wasn't harmed, fortunately," Phyllis reports, "but the devastation in those two provinces is truly unimaginable." HI has a long history in China and is committed to helping families there rebuild their homes and livelihoods through gifts of livestock and agricultural training.
     "With all my heart I want to thank everyone who has bought some of my work in the past," Phyllis says. "You have been generous not only to me but, more importantly, to people in the United States and around the world who are in dire straits. Your kindness is rippling out out endlessly, touching the lives of strangers in ways none of us will ever know."  Top


Busiest Year Ever
- July, 2008


















Phyllis is enjoying a relaxing family summer after her busiest year ever performing concerts, leading retreats and speaking about homelessness. "I actually scheduled more events than I should have," she says, noting that most of her public appearances occur September through May, "but it's hard to say no to people. Finally I had to start doing that."
     New for Phyllis this year was doing performance tours. She completed two mini-tours in Ohio (a total of 17 days), primarily to perform her "Child of All Earth" multimedia concert for peace in church, university and retreat settings. She found the work very demanding. "Part of the difficulty was being away from my family so long," she explains. "And part of it was the nature of the concert itself. I have such a profound belief in the need for human beings to intentionally cultivate, nurture and act upon their aspirations for peace. Every time I perform the `Child of All Earth' concert, I have to go deep inside myself, connect as strongly as possible with that core belief, and try to express it musically as best I can. To do that so often in such a short period of time while on tour was hard. It took a lot out of me. But I was also very moved and inspired by the audience response. The music and photographic montages seemed to speak to many people, and often they took time after the concert to tell me about their own concerns, their own hopes, their own struggles to create peace in their own lives and in the world beyond. I appreciated that interaction very much. I want to thank everyone who helped organize and host my tours, and everyone who came out to share in the concert experience."
     The last peace concert Phyllis performed in Ohio was held in a small United Methodist church in a mid-sized rural community. "By that point, I'd performed nearly ten concerts, and I was in a reflective mood. Before I started my usual program, I asked the audience if they would indulge me for a few minutes so that I could share some of my reflections. They kindly agreed.
     "I told them that one thing I had begun to sense, very strongly, while on tour is that we human beings are afraid of pursuing peace, of working for peace, of maintaining and extending peace. Though we often pay lip-service to peace, particularly in our religious communities, we're not really practiced at peacemaking. We don't know how to think about it, how to do it. We don't know how to labor for peace, how to sacrifice for peace.
     "Peace is a great unknown. And many of us would rather cling to the known, no matter how painful or tragic it might be for ourselves or others, than risk the unknown. Yet faith, I believe, is the process of risking the unknown, again and again, on behalf of love.
     "At that last concert I also confessed how sometimes it's a little frustrating when you show up to perform and only a few dozen people are there to hear you. It's frustrating not only for me as a performer but also for the organizers, and sometimes even for the audience. There can be all kinds of reasons for a small crowd: lack of interest, bad weather, busy schedules, and so on. But it's also tempting to suspect, when giving a peace concert, that some people haven't turned out because they're `pro-war,' or `not for peace.' I urged the people present not to give in to that temptation to divide the world into `we' who seek peace and `they' who don't. In so dividing the world, we just contribute further to the sort of polarizing dynamic we're trying to transform.
     "When I sit on the piano bench, I play not only for the audience but (in my heart) for the entire world. And I invited the people at that last concert, as they sat on their chairs, to witness my performance on behalf of the entire world.
     "By the time we were done, that room felt full of souls, let me tell you!"
     Phyllis has created music videos from her "Child of All Earth" concert, combining recordings of her music with the photographic montages that she created to accompany the music. To watch, please go to the Text & Video Room.  Top


White Coat Music Completed
- June, 2008

Last September Phyllis was commissioned to compose a piece of solo piano music for the White Coat Ceremony at the Sanford School of Medicine of the University of South Dakota (see article below). This ceremony is an annual rite of passage in which the school initiates new medical students into their first year of studies and welcomes them as colleagues dedicated to patient care. Central to the ceremony is the cloaking of each student in a white lab coat, the symbolic garb of the medical profession for more than 100 years.
     Phyllis has now completed that piece of music. Entitled "Starting from Here," it was inspired by a book of poetry by the same title that was written by Dr. Jerome Freeman, a member of the medical school faculty. "The piece reflects on the four years of intense learning and growth that new medical students face," Phyllis explains, "every day filled with the challenges and joys of becoming a capable and caring physician. Every day is yet another day devoted to `starting from here'."
     If you would like to listen to an informal recording of "Starting from Here," please visit the Music Room.  Top


C-Note: Nix That!
- May 4, 2008

Alas, the best-laid plans of mice and women don't always work out! More proof, in case you need it:
     Last August Phyllis announced plans for a collection of original solo piano pieces inspired by Antarctica. (Weren't those penguins cute? See below to jog your memory.)
     But after completing her initial research, having read up on her subject and studied hundreds of photographs, Phyllis sat down to compose, and couldn't. "The work felt forced," she muses now. "I guess I'm the kind of composer that needs to compose from the heart. If I have to compose primarily from the brain, from what I've researched instead of what I've experienced directly, the process isn't very satisfying, and neither is the result."
     Having given up on this "less than satisfying" project, Phyllis is hardly despondent. She has already made good progress on a couple of new ones. "There's never a shortage of things to do," she laughs. "But I did learn my lesson. I'm not talking about these new projects until I'm certain they're going to work out!"
     Stay tuned for more.  Top


Phyllis to Compose Music for Medical School Ceremony
- September 23, 2007

Phyllis has just been commissioned to compose a piece of solo piano music for the White Coat Ceremony at the Sanford School of Medicine of the University of South Dakota (Vermillion, SD). The event will take place in August, 2008.
     A relatively new rite of passage in medical schools across the country, the White Coat Ceremony welcomes first-year medical students into their clinical studies and challenges them to take seriously the responsibility of patient care. Its high point is the cloaking of the students in short white coats, symbolizing their student status. This holds the promise of the day when they will don the long white coats traditionally worn by physicians and medical school faculty members.
     "I'm thrilled at being asked to do this," Phyllis says. "Music and health, music and healing, can be very much related if we'll allow them to be. Here's a great opportunity to celebrate that connection as well as to inspire these students who are devoting their lives to the art of caring." Top


Attorney's Essay Eulogizes CIVIC Founder
- August 31, 2007

When Lee Tilson read about Phyllis's support of CIVIC (Campaign for Innocent Victims of Violence), the Michigan attorney immediately sent her a message. "Wow," he said simply, and shared with her an essay, "The Best There Ever Was," which he'd written upon the death of CIVIC founder Marla Ruzicka. A young American who started CIVIC to assist civilians harmed by war, particularly in Afghanistan and Iraq, Ruzicka was killed by a car bomb in Iraq in 2005.
     We sincerely thank Mr. Tilson for allowing us to print this essay in its entirety:



     I didn’t know Marla Ruzicka. Nevertheless I am compelled to read what I can find about her, and to write to understand. Each glowing tribute leaves something important unsaid.  Last night, while watching the Robert Redford and Glenn Close movie, The Natural, another insight became clear.
     The stories about Marla describe how easily and strongly she connected with everyone: Afghans and Iraqis, conservatives and liberals, children and adults, injured civilians and soldiers, journalists and politicians. The tributes come from those she helped, everyone she encountered, and some like myself who read about her. She has earned the praise of childhood friends and senior statesmen, photographers and ambassadors, decorated veterans and pacifists, lawyers and retirees.
     Speeches portray Marla as having the determination of an Olympic athlete, the wisdom of an experienced businessman, the impish playfulness of a teenage babysitter, the instincts of a seasoned politician, a cheerleader’s good looks, and the empathy of Mother Theresa. These talents were focused on persuading America to keep faith with its fundamental values by accepting responsibility for children and innocent civilians (non-combatants) injured in war.
     Journalist Steve Cooper claims Marla breathed life back into a horribly injured child he had judged to be among the “living dead.” The Iraqi Ambassador to the UN thanked Marla’s family for her sacrifice. Soldiers appreciated Marla’s having taught them to see beauty in Baghdad and helping them do their jobs. Reporter Peter Bergen reminded us that no man can have a greater love than to lay down his life for his fellow man. Afghan American Masuda Sultan counted thousands of Afghans that Marla helped. Kevin Kellems, former spokesperson for Vice President Cheney, Secretary Rumsfeld and Paul Wolfowitz, praised Marla as a unifier and a gift to her age. An eloquent post by Lance Etchison mentions how much Marla enjoyed discussing fashion with him. UPI reporter Shaun Waterman wanted Marla to teach his son to rollerblade. On one of the CIVIC videos, Marla blows on a laughing child's tummy to make an unintelligible noise. Marla’s magic touched the soul of everyone she met.
     Consider the lessons we try to teach our children: be yourself, follow your heart, do the right thing. Marla practiced them. In Plato's dialogues, Socrates teaches the sophists lessons about virtue. Marla knew them. Immanuel Kant instructs us to treat everyone as an end in herself and not as a means, and to act on universal maxims. Marla lived them.
     Marla’s accomplishments are enormous. She saved lives. She renewed hope in thousands of people living in devastated communities. She persuaded the most powerful military machine, the most powerful democracy in the history of the world, to admit that it had done something wrong that needed correction. It had injured innocent people. The victims deserved compensation. She was featured on CNN and Nightline at age 26. She was feted in major newspapers and magazines. She died at 28. How can we appreciate what she achieved in her short life? What can be accomplished by age 28?
     Most of our successes by age 28 are rather ordinary. Other than actors, rock stars and athletes, few are celebrated for accomplishments by age 28. To whom can we compare Marla?
     At age 26, Martin Luther King, Jr., received his Ph.D., and had begun working on the Montgomery Bus Boycott. Albert Einstein had just begun writing. At age 27, Isaac Newton was appointed chair of mathematics at Trinity. Their major successes would come in later decades of their lives.
     While 28, Gandhi and his family suffered one attack in South Africa, Abraham Lincoln was admitted to the practice of law in Illinois, and George Washington served as an aide to British General Braddock. At 29, John Kennedy was elected to Congress. Mother Theresa took her final vows as a nun at 27, went to Calcutta at age 37, and founded her order at age 40.
     By 28, Marla achieved more: she had persuaded the most powerful empire in history to recognize and take responsibility for mistakes, grievous mistakes.
     Must we really look as far back as Joan of Arc and Alexander the Great to find anyone with comparable impact? (Unlike Joan and Alexander, Marla had no weapons, no army.)
     At the end of The Natural, Glenn Close consoles Robert Redford about his past choices with her belief that we get two lives: "one to learn with, and one to live with." Robert Redford says that he wants to be known as "the best there ever was."
     Marla Ruzicka didn't need a life for learning, she already knew. She knew who she was. She knew how to love. She knew how to connect with anyone and everyone. She knew how to do the right thing. She knew how to speak truth so that power would listen.
     Perhaps Marla is speaking to us, asking that we use her life as the one with which to learn. Might she be asking us to use the rest of our lives as she did: loving children, caring for the injured, admitting mistakes, wearing the clothes we want and keeping the friends we want, rollerblading where we want, following our hearts and doing the right thing?
     We can study how Marla chose to live, the lives she renewed, the injured she healed, the hearts she touched, the friends she inspired, or what she accomplished. By any measure and in comparison to any standard, it can be said:

     "That was Marla Ruzicka. She was the best there ever was.”

Top

Photograph by Chris Hondros


C-Note:  Antarctica Album in the Works
- August 30, 2007

Phyllis has decided to go to the end of the earth to create her next album--musically speaking, that is.
     "I have no desire to actually go to Antarctica," she laughs. "I'm not fond of cold and wind. That's why I'm living in tropical South Dakota!"
     All kidding aside, Phyllis's decision to focus her next collection of compositions on Antarctica was inspired, in large part, by her own husband's numerous trips to the continent. Jihong Cole-Dai, a research scientist in environmental chemistry, has spent months camped in Antarctic snow fields collecting old ice for analysis in his South Dakota laboratory.
     "For our family, Antarctica has represented all kinds of things.  Separation, adventure, awe of nature, the opportunity to learn, danger and risk, physical hardship, homecoming, reunion, the struggle to express what is best known only by experience . . . all sorts of things. The stories and photographs that Jihong has brought home over the years have intrigued me. And now, of course, with Antarctica in the spotlight due to global warming, the general public is also starting to have more of an interest in the `bottom of the world'."
     Phyllis's work on the new collection, as yet unnamed, is just getting underway, but she has no doubt that the subject matter will influence her musical style. "Every composition, every collection, is affected by what it's about. Every new subject, every new piece, stretches me, takes me where I didn't know I wanted to go."
     If the music in this new collection turns out to her satisfaction, Phyllis would like to create another multimedia concert, using photographic montages, to share it. "You might not think there's much variety to Antarctic photographs. You know--how much ice and snow do you really want to look at? But once you start digging through the images, as I've been doing, it's amazing what's there, just waiting to be seen."
     One thing that Phyllis hasn't decided yet is what humanitarian (or environmental) organization she will support with the new album. "I'm asking for ideas on that," she says. "If anybody has one, please drop me a line. I'm open to suggestions!"   Top

Photograph by Zegrahm Expeditions.


Help Phyllis Save a Tree
- August 30, 2007

Phyllis invites all visitors to her website to sign up for her mailing list, if they're not already on it. Also, she strongly encourages old friends who have been receiving news of her work via the U.S. Postal Service to join her e-mail list.
     "Help me save a tree," she asks. "Switch from snail mail to e-mail!"
     About a third of the people on Phyllis's mailing list still receive her news the old-fashioned way. "Sometimes it can't be helped," Phyllis admits. "Some people don't have access to a computer. Others simply enjoy getting something nice in their old mailbox once in a while. But, given that I have to promote my work somehow, I'd like to be as environmentally responsible as possible. So, I'm asking for help! Rest assured that your e-mail address won't be shared with any third parties."
     To join Phyllis's e-mail list, just click on the button at the top of the page. Important: If you have a spam filter or other safeguard on your computer, please change its settings to allow messages sent from Phyllis's e-mail address (phyllis@phylliscoledai.com).   Top


First Child of All Earth Concert Slated
- August 30, 2007

Phyllis will present her first Child of All Earth concert at 7:00 p.m. on Friday, October 12, in the Fishback Studio Theatre of the Performing Arts Center on the campus of South Dakota State University, Brookings.
     This concert for peace, which Phyllis describes as making a humanitarian rather than a political statement, will be a multimedia event. She will perform her original solo piano compositions as photographic montages are being projected onto a large screen.
     "This will be my first-ever multimedia concert, and I'm excited," Phyllis says. "I created the montages after I'd composed the music, using photographs downloaded from the internet. I really think that the music and montages reinforce each other very well, deploring the violence of war and celebrating humanity's desire for peace."
     Sponsored by the SDSU chapter of Amnesty International, this concert will run approximately one and a half hours. Admission will be free for students. For all others admission will be $15 plus a can of food for the Brookings Area Food Pantry. Tickets will be available at the door only.
     If you or your organization would be interested in hosting a Child of All Earth multimedia concert for peace, either see Booking for more information or contact Phyllis.   Top


Child of All Earth Album Now on Sale
- August 30, 2007

Child of All Earth, Phyllis’s latest solo piano album, is now on sale to the general public. Phyllis composed the music on this album out of profound concern for all people, particularly in Iraq and Afghanistan, who are being traumatized by war.
     Among the fourteen original compositions in this new collection are "Gone," which explores the absence and loss experienced by combatants, their families and their societies, during war and long after . . . "What If," which asks what might happen today if, instead of regularly resorting to violence or the forceful exercise of power to resolve international problems, we were to imagine and implement more creative and just alternatives . . . "Yes," which celebrates those times in which we choose to embody a spirit of affirmation rather than of negation; of compassion rather than hatred or indifference . . . "Here & There," which refutes the popular notion that human lives here are more significant and precious than human lives there . . . and "Home Again," which anticipates the homecoming of survivors of war, as well as the "coming home" of us all, more fully each day, to ourselves and one another.
     Ten percent of the net sales proceeds from Child of All Earth will be donated to the Campaign for Innocent Victims in Conflict (CIVIC). A nonpartisan humanitarian organization, CIVIC was founded by American Marla Ruzicka to assist civilians harmed by war, particularly in Afghanistan and Iraq. Marla was killed by a car bomb in Iraq in 2005, but her vision lives on. For more information visit www.civicworldwide.org.
     In addition to donating some of her CD income to CIVIC, Phyllis has decided to host a personal fundraising page for the organization. "This isn't about politics," she says. "It's about people. Some of us have trouble imagining what it would be like trying to live, work, raise children, be a good neighbor, survive in the middle of a war zone. Many of us, though, don't have to imagine it. All too many of us, civilians and soldiers alike, are right in the thick of it."
     Phyllis is inviting personal friends and friends of her work to help raise at least $1000 for CIVIC's work on her fundraising page. If you would like to make your own tax-deductible donation, click here.
     More about this album is found in "New Solo Album Soon to Be Released," dated July 17, 2007.   Top


Phyllis Launches Two Charity Fundraising Pages
- August 29, 2007


Phyllis has now launched personal fundraising pages for two humanitarian organizations whose mission she strongly supports. The first is the Campaign for Innocent Victims in Conflict, or CIVIC, which advocates for civilians caught in the crossfire of war. The second is Heifer International, which seeks to end world hunger by providing impoverished families in the U.S. and abroad with livestock and agricultural training.
          "A big part of what I want to do as an artist," says Phyllis, "is help raise awareness about, and funds for, human beings who are suffering. These pages will help me do just that." While she wishes that every organization directly supported by her work could host such pages, she recognizes that the trend is still new among non-profit groups. "Who knows, though," she says, "maybe I'll soon be adding a Doctors Without Borders page!"
     Phyllis's humanitarian fundraising pages are listed among her Links. Visitors may make secure tax-deductible donations directly to the cause. On her CIVIC page Phyllis has challenged "friends of her work" to help raise at least $1000 for civilian victims of war. (In addition, she'll be donating 10% of her net sales from Child of All Earth.) To visit her CIVIC page click here.
     Phyllis's Heifer International page is organized as a gift registry. Donors there may choose from among dozens of livestock animals and other agricultural goods valued at different amounts. To visit her Heifer page, click here.
     "There's so much suffering in the world, it's hard to know where to share our resources," says Phyllis. "Believe me, I understand that. I'm not meaning to pressure anybody. I'm just issuing an invitation. If you want to help, here's a way to help. We can work together to make a difference, one life at a time."   Top


New Solo Album Soon to Be Released
- July 17, 2007

Child of All Earth, Phyllis’s next solo piano album, will be released in September. It will include fourteen new compositions, providing more than an hour of contemplative music.
     Preparing the album has been a work of deep conviction. “One night in 2006,” Phyllis recalls, “I attended a public screening of a documentary about the suffering of Iraqi civilians during the Iraq War. I left that theater changed. Changed by one scene in particular: a gravely wounded little boy lying silent and unmoving amidst the chaos of an overburdened hospital, his mother wailing over him. To me, in that instant, that boy was my son. Not like my son—my son. His mother’s cries were my own. Helpless, I wanted to run out of the theater and explode."
     Phyllis explains that this collection of music emerged from that night’s experience. "It’s not so much a political statement as a humanitarian cry. I present it less as a citizen of this country than as a citizen of the world—a human being who alongside all other human beings belongs to this earth. I’m nobody special; just one among billions. But my longing for peace is likely felt in some measure by everyone, no matter how deeply it might be buried or thickly scarred over. I dare hope that this longing might intensify within us all, and that it might find increasing expression wherever conflict lies, wherever violence threatens, in tough, tireless, transformative acts of peacemaking."
     Ten percent of the net proceeds from the sale of Child of All Earth will be donated to the Campaign for Innocent Victims in Conflict (CIVIC). A nonpartisan humanitarian organization, CIVIC was founded by American Marla Ruzicka to assist civilians harmed by war, particularly in Afghanistan and Iraq. Marla was killed by a car bomb in Iraq in 2005, but her vision lives on. For more information visit www.civicworldwide.org.
     More details about the release of Child of All Earth will soon be announced.   Top


Hospital Using Phyllis's Music
- May 11, 2007


The Pastoral Care Team of a large tertiary care medical center in the Upper Midwest has been so moved by the power and beauty of Phyllis's music that it has selected three of her pieces as a musical meditation for health-care providers to listen to on their way home after a busy day. Their hope is that her music ("Disappearing Sea," "Letter to a Young Poet" and "Flexible Flyer") will help the staff members transition from the "busyness" of their workday into both the challenges and blessings of their lives at home.
     According to the Rev. Bill Cooper, one of the hospital chaplains responsible for the creation of the audiotape, the introduction includes these words:
     "Our hope is that, as you listen to this music, you will be able to think through your day and gently leave it behind. As the music continues and you near home, breathe in peace and anticipate the playful re-creation that can await you there.
     "We invite you to listen to the music of pianist Phyllis Cole-Dai as she takes you on a journey through the storms of life, with crashing waves and gale force winds, to the times in life when the wind begins to subside and the clouds part, to reveal the sunlight streaming through. When the storms in life have passed, we are able to venture out in our rubber boots and slickers to splash through puddles and explore the newly rain-washed world."
     Phyllis is no stranger to this particular hospital. In 2006 she was the first-ever musical performer in its "Soothing Sounds for the Soul" series, which once each month provides a quality concert in the hospital lobby for the benefit of patients, their visitors and staff. She performed again in April, 2007.
     "It's one of the most wonderful venues I've ever played," Phyllis says. "The music weaves together with the sounds of hospital life. There is no auditory boundary between the world of the well and the world of the suffering. The music is for everyone who happens to hear. And the need for someone to hear it may be very great indeed. I never know whom the music is touching, or where in the hospital that might be happening."
     Cooper concurs, recalling how during one of Phyllis's performances he saw a patient being rolled on a gurney toward the operating room. Hearing the music, the patient asked the attendant to stop. The patient lay listening closely until the attendant insisted that they had to continue on their way.
     "Stories like that remind me of the healing power of music," Phyllis says. "In music is found every tone, every vibration, that the human being knows. Body, mind, and spirit can all be powerfully affected by a single piece of music, especially when we're tuned in."  Back to headlines . . . .
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